Thursday, 24 September 2026

Again The Same Old Pseudo-Scientific DNA Claptrap and Fraudulent Interpretation Incompatible with the Facts

 

Again The Same Old Pseudo-Scientific DNA Claptrap and Fraudulent Interpretation Incompatible with the Facts

 Shrikant G. Talageri 


Koenraad Elst sent me one of the latest (23 June 2026) articles on the “DNA-Proves-the-AIT” jokebook circuit for my response. As we see, the writer of this article (his/her name not discernible) has nothing new to say, and simply repeats the stale, old DNA joke without bothering to even take note of certain very basic scientifically proved facts which, at the very start of his story, would have had to be dealt with before expecting to have his joke taken seriously:

https://www.exploreyourdna.com/article/173/r1a-z93-the-indo-iranian-lineage-from-sintashta-to-india

The article gives us what the writer tells us is the story of the “r1a-z93” chromosome. I am not a geneticist, and so I am perfectly willing (of course with due respect to other geneticists than the writer of the above article, if they happen to hold contrary views) to accept his/her genetics-based story as “the story of the “r1a-z93” chromosome from Sintashta to India”. The Indian DNA contains many chromosomes, and I am absolutely willing to accept that many of these different chromosomes will be from different places on earth, at different points of time since the birth/evolution of homo sapiens, “to India”.

 

The only point on which the whole story ceases to be scientific and becomes a fairy-tale incompatible with the facts is when it directly equates “r1a-z93” with a specific language group “Indo-Iranian” and concludes that the story being told is actually “the story of the Indo-Iranian languages from Sintashta to India”. What the joker (at this point I will stop deferring to woke politically-correct-terminology, and will refer to the unknown, to me, writer as “he/his/him”). “Indo-Iranian” is not the name of a “chromosome” but of a “language-group”, and the story of a chromosome cannot automatically become the story of a language-group unless it fits in with the scientifically provable empirical evidence regarding the geographical and chronological facts about that language group as derived from material records like inscriptions, etc..

See what the article tells us (directly equating “r1a-z93” chromosomes and “Vedic people”) about the chronological and geographical data concerning the travels of the “r1a-z93” chromosome:

1. “Around four thousand years ago, on the dry grassland east of the Ural mountains, a people learned to yoke horses to a light two-wheeled chariot. They buried their dead with those chariots, with horse sacrifices and fire rituals that read like pages torn from the much later Vedic hymns”.

Here we get one fact (that the story of the Sintashta people east of the Ural mountains starts just “four thousand years ago”, i.e. roughly, give or take a century or two,  2000 BCE?) breezily linked up with a speculative chronological guess that the Vedic hymns were “much later” to that date.

2. “Within a few centuries their descendants and their language had crossed Central Asia, climbed the passes into the Iranian plateau, and pushed down through the Swat valley into the Indian subcontinent”.

Here, what exactly is meant by “within a few centuries”? The long migration described above, “crossed Central Asia, climbed the passes into the Iranian plateau, and pushed down through the Swat valley into the Indian subcontinent” cannot surely be condensed into one or two centuries, and if we consider also the (surely subsequent to this migration?) composition of the “Vedic hymns” then another one or two centuries at the very least, this places the composition of the Vedic hymns to after 1600-1500 BCE at the earliest.

In other words, according to the writer, the Vedic hymns are to be dated wholly and solely from “the story of the “r1a-z93” chromosome from Sintashta to India” and not from actual scientific data and analysis pertaining to those hymns and the language of those hymns.

 

As I said: the same old DNA joke repeated for the nth time with the air of saying something new or presenting some new evidence, while continuing to totally refuse to take into consideration the solidly established actual scientific data and analysis pertaining to the chronology and geography of those hymns and the language of those hymns.

As nothing new is said in the article, there is nothing new to be said in its refutation. But the refutation, already presented again and again and completely ignored and stonewalled by these goons again and again, can only be presented yet again in the faint hope that this time at least it will be able to enter into the thick heads of these jokers.

As per this above article, and the countless similar articles already flooding the information space, the ancestors of the composers of the Vedic hymns (i.e. the ancestral speakers of the Indo-Aryan and Indo-Iranian languages) were still in an area to the east of the Ural mountains around 2000 BCE or so and (later, after centuries-long journeys through “Central Asia….the passes into the Iranian plateau, and ….the Swat valley”) finally entered “into the Indian subcontinent” and subsequently composed the Vedic hymns. The Vedic hymns are therefore post-1500 BCE. Same stale old story, completely disproved by the actual scientific data and analysis pertaining to the chronology and geography of those hymns and the language of those hymns.

 

So (yawn! and ho-hum!) the data and evidence presented again below (being simply a copy-paste from my article “The Finality of the Mitanni Evidence”), showing that any story (whether true or not) about the migrations of the ““r1a-z93” chromosome from Sintashta to India” has no connection at all to the story of the “Indo-Iranian” languages and the Vedic hymns, in the very vain hope that this time at least the facts may enter the thick skulls of these mutts and morons:

 

THE EVIDENCE AGAIN:

1. The founders of the Mitanni kingdom (1550/1500 BCE) in Syria-Iraq were already a very long-established local population in that area with their Indo-Aryan identity already constituting the "remnants" of an ancient ancestral part of their identity which had taken place "taken place centuries earlier". The proto-Mitanni presence in West Asia goes back by many centuries (beyond 1800 BCE at the least).

2. The Rigveda consists of two distinct eras, an old period represented by the Old Rigveda and a new period represented by the New Rigveda, the two periods separated from each other by centuries of momentous changes in history, geography, culture, technology and language.

What does the combination of these two facts tell us about the date of the Rigveda and about the geographical location of the PIE Homeland? Let us examine this stage by stage:

A. The Mitanni vis-a-vis the Rigveda:

The Mitanni Indo-Aryan elements (i.e. the ancestral Mitanni elements surviving in the records of the second millennium BCE in West Asia) are naturally connected to the Indo-Aryan elements in the Rigveda. But in which Rigveda: the Old Rigveda or the New Rigveda?

Only a comparison of the Mitanni and Rigvedic data can answer this question. But what is the exact data which can help us to narrow down this search?

The Mitanni data which can be compared with the Rigvedic data to identify whether it is connected to the Old Rigveda or the New Rigveda:

As Witzel points out, the Indo-Aryan elements in the Mitanni data "cover the semantic fields of horses, their colors, horse racing, and chariots, some important 'Vedic' gods, and a large array of personal names adopted by the ruling class" (WITZEL 2005:361): the horse racing words include some number words. The only other important word is the word maini (bead, jewel).

The Rigvedic data which distinguishes the Old Rigveda and the New Rigveda from each other, which can be compared to the Mitanni data:

This data consists of a very large vocabulary of new words, new meters, and new personal names and name types found only in the New Rigveda and in subsequent texts but missing in the Old Rigveda.

The names of Vedic gods and number words, and the words associated with horses, their colors, horse racing, and chariots, found in the meagre Mitanni data are of course few in number and are common words found throughout the Rigveda. Likewise, since no Mitanni hymns have been found, there can be no comparison of meters. Therefore the entire evidence rests on the single word maini and the "large array of personal names".

And this evidence is absolute and sweeping:

1. The Rigvedic word maṇi (Mitanni maini) "bead, jewel", is found just twice (I.33.8; 122.14) in the New Rigveda, 78 times in the Atharvaveda, and countless times throughout the subsequent Vedic and Sanskrit literature; and is an extremely common and popular word in all modern Indo-Aryan languages, and in all non-IE languages influenced by Sanskrit. It is completely missing in the Old Rigveda.

2. The prominent personal names and name types in the Mitanni data which are found in the Rigveda are names with the following elements:

-aśva, -ratha, -atithi, -sena, -bandhu, -uta, -medha, vasu-, ṛta-, priya-.

The personal names with these elements are found in the Rigveda as follows:

Names of Composers of the hymns (89 hymns):

V. 3-6, 24-26, 47, 52-61, 81-82 (20 hymns).

I. 12-23, 100 (13 hymns).

VIII. 1-5, 23-26, 32-38, 46, 68-69, 87, 89-90, 98-99 (24 hymns).

IX. 2, 27-29, 32, 41-43, 97 (9 hymns).

X. 20-29, 37, 57-60, 65-66, 75, 102-103, 132, 134, 179 (23 hymns).

Names in References (in 82 verses):

IV.30.18 (1 Redacted verse)

V. 27.4-6; 33.9; 36.6; 52.1; 61.5,10; 79.2; 81.5 (10 verses)

I. 36.10,11,17-18; 45.3-4; 100.16-17; 112.10,15,20; 116.6,16; 117.17-18; 122.7,13; 139.9 (18 verses)

VIII. 1.30,32; 2.37,40; 3.16; 4.20; 5.25; 6.45; 8.18,20; 9.10; 23.16,23-24; 24.14,22-23,28-29; 26.9,11; 32.30; 33.4; 34.16; 35.19-21; 36.7; 37.7; 38.8; 46.21,23; 49.9; 51.1; 68.15-16; 69.8,18; 87.3 (39 verses)

IX. 43.3; 65.7 (2 verses)

X. 33.7; 49.6; 59.8; 60.7,10; 61.26; 73.11; 80.3; 98.5-6,8; 132.7 (12 verses)

It will be seen that all these personal names are totally missing in the Old Rigveda, and are found exclusively in the New Rigveda and (in a single verse) in a Redacted Hymn.

[Although I will not bother to give the details here, since they have already been given numerous times in my books and articles, the common Rigvedic-Mitanni data is a sub-set of a much more enormous body of data of personal names as well as general words: the common Rigvedic-Avestan data, which is likewise totally missing in the Old Rigveda, and found exclusively in the New Rigveda and in the Redacted Hymns.]

 

B. The chronology of the Rigveda:

The above evidence clearly shows that the ancestral Mitanni people separated from the main body of "Indo-Aryans" (i.e. Rigvedic people) at some point of time after the period of composition of the Old Rigveda and during the period of composition of the New Rigveda.

But the ancestral Mitanni people were already present in West Asia by 1800 BCE at the very least as a very important and established and local part of the West Asian political-historical landscape, a circumstance which is being confirmed to a greater and greater extent by every new research. So they must have arrived in West Asia at least one or two centuries before that: i.e. at least by 2000 BCE.

As the Vedic "Indo-Aryans", the people who composed the Rigveda, did not live in West Asia − the evidence of the data in the text shows that they lived in Haryana to the east of the Sarasvati river in the earliest recorded period of the Old Rigveda, and expanded westwards only up to Afghanistan by the end of the period of the New Rigveda − it is clear that the ancestors of the Mitanni who arrived in West Asia at least by 2000 BCE must have separated from the main body of Vedic "Indo-Aryans" long before that date. Again, taking a conservative minimum of 200 years for their migration from this ancestral area to West Asia, they must have left this area, Haryana to Afghanistan, at least by 2200 BCE.

When these ancestral proto-Mitanni people left this area, Haryana to Afghanistan, at least by 2200 BCE, the language and culture of the Vedic "Indo-Aryans" which they took with them was already the fully developed culture of the New Rigveda, with its distinctive new words and personal name types, which obviously did not develop within one day, and this culture of the New Rigveda must have taken many centuries to develop these distinctive new words which set it apart from the culture of the Old Rigveda. This places the ending of the period of the Old Rigveda at least a few centuries before the departure of these ancestral proto-Mitanni people from this area: at least 2400 BCE.

The geographic data of the Old Rigveda shows that its composers, in at least 2400 BCE, were residents of Haryana and eastern Uttar Pradesh, with no prior intimate knowledge of areas further west. And this area, Haryana to Uttar Pradesh, in at least 2400 BCE, was a fully "Indo-Aryan" area which the composers regarded as their beloved ancestral land, in which the places and rivers of the area already had fully "Indo-Aryan" names (with no traces of any earlier non-IE names), and there was no trace or even memory of any non-IE people in that area or in the neighbouring areas to the east.

1. As per the linguistic analysis of the common Indo-European vocabulary so far as chronology is concerned, the 12 branches of the family were geographically located in contiguous and mutually interactive areas till at least around 3000 BCE or so, and started separating and losing touch with each other only around that time. As we have shown in detail in our books and articles, every single piece of linguistic evidence which can indicate geographical location points away from the Steppes and towards northwestern India as the area from which these branches started separating from each other.

2. Our analysis of the data and evidence in the dāśarājña battle hymns shows that the last five branches (i.e. Vedic Indo-Aryan, Iranian, Armenian, Greek and Albanian) to remain in the Homeland area after all the others had departed were all present in the Punjab during this battle which took place in the period of the Old Rigveda, and this is confirmed by the rest of the evidence in the Avestan and Vedic (and traditional Indian historical) texts.

3. Any and every analysis of the archaeological evidence in the IE-Homeland debate shows that while there is ample archaeological evidence indicating the external (to their historical areas) origins of all the other branches of IE languages, there is absolutely no such evidence for the Indo-Aryan branch in spite of the strenuous efforts of two centuries of scholarship.

In the face of all this, all the multifarious attempts to concoct migration schedules and histories of Indo-European migrations from the Steppes to India, using mumbo-jumbo terminologies and arguments, and presumptuous identification of non-linguistic criteria (including genetic data) with languages, have absolutely no value if the concocters (whatever their academic status) ignore and refuse to explain how the Rigvedic people in the period of the Old Rigveda could have composed the text in Haryana in or before  at least 2400 BCE, in an environment consisting of places and rivers with exclusively Indo-Aryan names and in the total absence of any local non-IE elements in the area.


Sunday, 20 September 2026

A “Critique” of my Internal Chronology by an “Impartial Indologist”

 

A “Critique” of my Internal Chronology by an “Impartial Indologist”

Shrikant G. Talageri 

 

Someone just sent me for my response the following article written by someone named Benjamin Lloyd whose blog is named “Impartial Indology”. The article itself is titled “Critiquing Talageri: Why he gets almost everything wrong”:   

https://benjaminindology.wordpress.com/2020/09/13/critiquing-talageri-why-he-gets-almost-everything-wrong/

 

His article consists of two parts. The second part pertains to the old and much discussed subject of Purukutsa and Trasadasyu. I have already written so many articles on this subject in the context of Jijith Nadumuri Ravi’s fairy-tale-ridden books and tweets, that some regular reader of my articles is likely to stone me to death for continuing to discuss this same old thing every time someone repeats the same old arguments. Anyone who has not read my articles on the subject (and this goes for Benjamin Lloyd as well) can do so now.

 

The first part of his article I will quote in full:

“In this post, I will attempt a brutal, honest, factual critique of Shrikant Talageri, who is unarguably one of the most important authors in the field of Indology. Despite making important contributions, he makes fatal errors in his reasoning that lead to faulty conclusions.

 

In Chapter 3 of his book “Rig Veda A Historical Analysis”, we read the following statement:

The Rigveda consists of ten MaNDalas or Books. And, excepting likely interpolations, these MaNDalas represent different epochs of history.

 

Unfortunately, instead of giving actual evidence in favor of this hypothesis, Talageri opts for a selective reading of both the Rigveda and the Anukramani in order to support his absurd thesis. At the very outset, this statement seems illogical. If each mandala is written by a particular rishi family, and each mandala also corresponds to an ‘epoch’ of history, then it would imply that each ‘epoch’ was dominated by one and only one rishi family. It would imply that in each epoch, one rishi family held a near monopoly on composing Rigvedic hymns. At the very outset, this doesn’t seem very likely.

 

Further, we read:

The chronological position of MaNDala IX is equally beyond doubt: it is definitely much earlier than MaNDala X, but equally definitely later than the other eight MaNDalas.

MaNDala IX was meant to be a kind of appendix in which hymns to Soma, ascribed to RSis belonging to all the ten families, were brought together.

 

Notice how these two statements contradict each other. If the IXth mandala consists of hymns composed by all the ten families, and each family composed hymns during a specific ‘epoch’, then it implies that IXth mandala should contain hymns from all the epochs. So while it may be true that the IXth mandala was organized at a later date, some of its hymns could be much earlier. By no means can IXth mandala be considered a ‘late’ mandala.

 

Further, we read:

The family MaNDalas can be divided into Early Family MaNDalas (VI, III, VII) and Later Family MaNDalas (IV, II, V). The Later Family MaNDalas have full hymns composed by direct descendants of RSis from the Early Family MaNDalas.

 

The reader is left to presume that the second statement is supposed to be ‘evidence’ in favor of the the first statement. Unfortunately, the evidence is very flimsy. The fourth mandala is attributed to Vamadeva Gautama, and he bears no known relationship to the authors of mandalas VI (Bharadvaja), III (Visvamitra) or VII (Vasistha). However, there is one hymn in mandala IV, hymn 43, which is ascribed to the rishis Purumīḷha Sauhotra and Ajamīḷha Sauhotra. Supposedly, they descend from Suhotra Bharadvaja, and this is supposed to be ‘evidence’ that the entire IVth mandala is later than the VIth! But even if we accept the premises, the only thing we can safely conclude is that this one particular hymn is later to (most hymns of) VIth mandala. Just because one hymn in the IVth mandala was composed by a descendant of rishi Bharadvaja doesn’t mean the entire mandala is later than VIth. This unfounded conclusion could only be based on his unfounded hypothesis that each mandala is supposed to be an ‘epoch’!

 

He futher presents a series of similar arguments in which he uses the Anukramani to “logically deduce” the relative chronology of mandalas. I do not need to demonstrate in detail that all of those arguments are based on equally unfounded and flimsy premises. Let me just point out how he has selectively employed the Anukramani data. In mandala I, there are several hymns (166-191) attributed to Agastya Maitrāvaruṇi. As we know from hymn VII.33, Agastya was a contemporary of Vasistha, and was regarded as his brother. In fact, it was Agastya (according to VII.33), who introduced Vasistha to Sudas. This would imply that major portions of mandala I actually belong to the earliest period. But Talageri asserts that even the earliest parts of mandala I are later than VII. This is a serious contradiction, because according to Talageri, mandalas represent ‘epochs’ and therefore Vasistha and Agastya must be separated by ‘epochs’ (which can’t be true).

 

I can give another example. Hymns VIII.101, IX.62, IX.65, X.110, X.167 are attributed to rishi Jamadagni. Jamadagni was a contemporary of Visvamitra, and we know this from hymn III.53, where Visvamitra attributes his poetic skill (symbolized by Sasarparī) to Palastis and Jamadagnis. However, Talageri places mandalas VIII, XI, and X to be later than mandala III.

 

One may raise a point in Talageri’s defense. It could be that the Agastya of mandala I was a later Agastya. Likewise, the Jamadagnis of mandalas III, VIII, IX and X could all be different personalities belonging to different epochs. But this would open a can of worms. How, then, would we know that the hymns of mandala VI that are attributed to Bharadvaja were composed by the same Bharadvaja? In fact, we don’t. In all likelihood, the mandala VI was composed by many generations of Bharadvajas, and not all of their personal names were preserved in the Anukramani. This would mean that each family mandala would have early, middle and late portions, that would be roughly concurrent with the early, middle and late portions of other family mandalas. In other words, rishi families were (in some sense) “competitors” in a market rather than monopolists of their respective epochs.”

 

 

I could reply point by point to the above, but again it would constitute repeating myself ad nauseam, and I am really tired of doing this. Let me go to the very fundamentals instead of discussing individual points already answered.

 

Basically, what Benjamin Lloyd is arguing here is that my internal chronology of the books is wrong because:

 

1. “Talageri opts for a selective reading of both the Rigveda and the Anukramani in order to support his absurd thesis. At the very outset, this statement seems illogical. If each mandala is written by a particular rishi family, and each mandala also corresponds to an ‘epoch’ of history, then it would imply that each ‘epoch’ was dominated by one and only one rishi family. It would imply that in each epoch, one rishi family held a near monopoly on composing Rigvedic hymns. At the very outset, this doesn’t seem very likely.”

 

2. “If the IXth mandala consists of hymns composed by all the ten families, and each family composed hymns during a specific ‘epoch’, then it implies that IXth mandala should contain hymns from all the epochs. So while it may be true that the IXth mandala was organized at a later date, some of its hymns could be much earlier. By no means can IXth mandala be considered a ‘late’ mandala.”

 

3. “However, there is one hymn in mandala IV, hymn 43, which is ascribed to the rishis Purumīḷha Sauhotra and Ajamīḷha Sauhotra. Supposedly, they descend from Suhotra Bharadvaja, and this is supposed to be ‘evidence’ that the entire IVth mandala is later than the VIth! But even if we accept the premises, the only thing we can safely conclude is that this one particular hymn is later to (most hymns of) VIth mandala. Just because one hymn in the IVth mandala was composed by a descendant of rishi Bharadvaja doesn’t mean the entire mandala is later than VIth. This unfounded conclusion could only be based on his unfounded hypothesis that each mandala is supposed to be an ‘epoch’!”

 

4. “Hymns VIII.101, IX.62, IX.65, X.110, X.167 are attributed to rishi Jamadagni. Jamadagni was a contemporary of Visvamitra, and we know this from hymn III.53, where Visvamitra attributes his poetic skill (symbolized by Sasarparī) to Palastis and Jamadagnis. However, Talageri places mandalas VIII, XI, and X to be later than mandala III.”

 

5. “It could be that the Agastya of mandala I was a later Agastya. Likewise, the Jamadagnis of mandalas III, VIII, IX and X could all be different personalities belonging to different epochs. But this would open a can of worms. How, then, would we know that the hymns of mandala VI that are attributed to Bharadvaja were composed by the same Bharadvaja? In fact, we don’t. In all likelihood, the mandala VI was composed by many generations of Bharadvajas, and not all of their personal names were preserved in the Anukramani. This would mean that each family mandala would have early, middle and late portions, that would be roughly concurrent with the early, middle and late portions of other family mandalas. In other words, rishi families were (in some sense) “competitors” in a market rather than monopolists of their respective epochs.”

 

 

I could point out the incorrectness of all his above arguments, by which he strives to prove that I have presented an “unfounded hypothesis that each mandala is supposed to be an ‘epoch’!”

 

But, since each individual point has been explained in full in my books and blogs, and his arguments are completely wrong, I will not repeat my explanations again. Let me instead try a new approach: let me assume that all his above arguments do indeed present a case showing that my “hypothesis that each mandala is supposed to be an ‘epoch’” is “unfounded”.

 

So is my case, “that each mandala is supposed to be an ‘epoch’” right, or is his case, that my case is “unfounded” right?

 

If his case (his article is of 2019) had been brought to my notice a few years ago, I would have had to reply laboriously to each point. But in 2022 I have written an article “Final Version of the Chronological Gulf between the Old Rigveda and the New Rigveda” which completely analyzes the vocabulary of the various books of the Rigveda and conclusively shows that:

 

1. There is a massive vocabulary of New Words found only in the New Rigveda (Books 5,1,8,9,10) and the Redacted Hymns in the Old Books 2-4,6-7 (the list of which was originally compiled not by me but by the most standard Indologists/Vedicists like Oldenberg, Witzel and Proferes), but not in the Old Hymns of the Old Rigveda (Books  2-4,6-7).

 

2. There is also a large vocabulary of Middle Words found only in the Middle Books (2,4), and in the New Rigveda (Books 5,1,8,9,10) and the Redacted Hymns in the Old Books 3,6,7, but not in the Old Hymns of the Old Books 3,6,7.

 

https://talageri.blogspot.com/2022/08/final-version-of-chronological-gulf.html

 

Now I do not have to prove the correctness of my case “that each mandala is an ‘epoch’” by talking about Anukramanis and composer names. I have already done that in my books, and it is that evidence which Benjamin Lloyd is arguing against in his above article. But the correctness of my case “that each mandala is an ‘epoch’” is now conclusively proved by an absolute analysis of the vocabulary of the 10 Books of the Rigveda:

 

The New Words (for precise details see my above article) are found as follows:

 

1. Old Rigveda Books 2,3,4,6,7:  0/280  Hymns, 0/2368 verses, 0 words.  +0 C + 0 M.

2. Redacted Hymns in Old Books 2,3,4,6,7:  61/62  Hymns, 470/873 verses, 724 words. +1 C + 6 M.

3. New Rigveda Books 1,5,8,9,10:  684/686 Hymns, 4256/7311 verses, 6828 words. +300 C + 96 M.

 

In the above article I have also given the list of Middle Words (for precise details again see my above article) are found only in the Middle Books (2,4), and in the New Rigveda (Books 5,1,8,9,10) and the Redacted Hymns in the Old Books 3,6,7, but not in the Old Hymns of the Old Books 3,6,7. The only thing is I did not feel it necessary the lists of references containing those words.

 

[I did not feel it necessary because of the severe sciatica and vertigo caused by the back-breaking work involved in preparing this detailedly analyzed article, and also because, as I explained at the beginning of that article, so as not to dilute the impact of the historically important chronological gulf between the Old Rigveda and the New Rigveda demonstrated by the New Words and New Meters, by introducing an additional angle of references of Middle Words, important for internal Rigvedic history, but not important for IE and OIT history].

 

So I would request Benjamin Lloyd, and any admirers of his “critique” of my Internal Chronology of the Books of the Rigveda, to see whether his pedestrian (and, incidentally, already answered) arguments about Anukramanis and Composer Rishis, have even the slightest force against the avalanche of data contained in my above article. To repeat myself, it will be obvious that my case, “that each mandala is an ‘epoch’”, is now conclusively proved by an absolute analysis of the vocabulary of the 10 Books of the Rigveda.  


Saturday, 19 September 2026

The Neo-Nazis: Israel’s Woke Jewish Anti-Nationals

 

The Neo-Nazis: Israel’s Woke Jewish Anti-Nationals

Shrikant G Talageri

 

We in India have experience of over seven decades of a suffocating and overpoweringly powerful leftist (woke) anti-national and anti-Hindu stranglehold over Bollywood in particular and the Indian film industry in general.

Israel, in spite of being many times more aware and self-preservationist than India, and most certainly a sharp contrast to India in the ways in which it deals with anti-national and anti-Jewish elements, is nevertheless in the same boat as India in two respects:

1. The Muslim population of both the countries has increased sharply in this period:

India   1951 9.8%,   2011 14.2%

Israel   1948 13.8%,   2023 18 to 21%

2. Both the countries have the cancer of woke-leftist activists working against the national interests, woke “Hindus” in India and woke “Jews” in Israel, who work hand in hand with the internal and external enemies in maligning Hindus and Jews respectively.

 

This article is about the woke-leftist “Jews” of Israel who are always in the forefront of anti-Jewish and anti-Israel propaganda. The most recent provocation is a film NAZA by two woke Jews, Yuval Abraham and Rachel Szor. which seeks to drum up fury against Israel in the context of Gaza.

The name, NAZA, is apparently a military Hebrew acronym used in reference to “"collateral damage" or "incidental damage" (nezek agavi)”. But the fact that it closely resembles the word Nazi is suspicious in the context of its use as the title of a film apparently documenting “Israeli atrocities” on the Palestinians in Gaza, suggesting a comparison with Nazi atrocities. Ironic because it is the makers of the film who are indirectly exhibiting the most blatant Nazi tendency of all: Anti-Semitism (or hatred for Jews and hostility towards their right to exist without facing constant threats of Total Annihilation; and the determination to stand solidly behind all those forces pledged to annihilate Israel).

Today Israel is facing enemies who openly express their ultimate desire to wipe Israel off the face of this earth. Note that Iran has no borders with Israel and could very easily have followed a policy of Live-and-Let-Live vis-à-vis Israel, both benefitting and prospering from such a relationship. But its Jew-hatred does not allow it to let Israel live in peace, and it is in the forefront of forming, arming and financing terrorist and militia groups on the very borders of Israel, with the openly expressed aim of annihilating Israel. In the face of this, every self-respecting Hindu fully supports Israel in whatever it does and has to do in order to survive against its would-be-annihilators.

 

[Most Hindus, even the Hindutva-minded ones, would probably have sympathized with Iran in its fight against a USA which seeks to take control of its oil resources. But in the face of Iran’s unremitting hatred of Israel and its consistently and openly expressed aim of wiping Israel out of existence, it is Israel which has the sympathy of most Hindus, and Iran automatically forfeits any Hindu sympathies it could possibly have got if its hatred for Israel had not been in the picture.

This is no speculation. I still remember when the famous WTC incident took place on “9/11”. I don’t know how this will sound to the readers, but (like George Washington is supposed to say in the story), “I cannot tell a lie”: I still remember the atmosphere in my bank branch the next day. Everyone had spent the whole previous day watching again and again the scenes of the terrorist plane attack on TV. Practically all of the staff were anti-terrorist and out of sympathy especially with Islamic terrorism. And yet, every single person in the office (Hindu, Muslim Christian and Parsi – there were no Jews – as well as Congress-supporters, Communists, Socialists and Hindutvites) were unanimous in the jubilant view that the USA deserved it! [Only one Parsi lady seemed absolutely confused: “Meri samajh mein nahin aa raha hai. Sab log khush hain!”]

Further, a few months later I was speaking with a top RSS leader and a top VHP leader. The VHP leader revealed that when “9/11” took place, Pravin Togadia (then still the chief of the VHP) wanted to make use of the incident to organize a massive all-India agitation against Islamic terrorism. But to his surprise, all the VHP leaders he contacted told him that VHP members were in fact jubilant rather than indignant about “9/11”, and no-one would be interested in making hay out of it!

But when it comes to Israel, most Hindus are firm in their support for whatever Israel has to do to ensure its survival. And when people, who maintain an absolute silence about atrocities on, and massacres or expulsions of, Hindus everywhere, make an issue of “atrocities on Palestinians” as if there are no other human beings on earth other than Palestinians who are facing attacks, Hindus are certainly in no mood to join the vicious mob-ragging against Jews/Israel.]

 

This woke film NAZA was not only entered in the 83rd Venice International Film Festival in September 2026 where the woke-leftist and anti-Semitic crowds who fill such events gave it a standing ovation of 25 minutes, but it received the Special Jury Prize at the Festival. This is exactly the kind of treatment these Film Festivals give to Indian woke films tarring Hindus in cases where they are clearly the victims.

The film has raised widespread indignation and outrage in (the non-woke sections of) Israel. There are calls to revoke the Israeli citizenship of the makers of the film, treating them as traitors. Of course, the woke sections within Israel, with the full backing of all the international forces of Wokism and anti-Semitism, will fight back.

We in India are familiar with woke-leftists trying to destroy India from within. Will Israel be able to deal with them more effectively, especially in the face of the fury and support of all the international forces of Wokism and anti-Semitism? I wonder!

But the point to become aware of is that while woke people in every country are totally deracinated persons attacking the culture and the just rights of their own people and nations, it is the woke people in India and Israel who stand out from all others in the intensity of their deracination and self-identity-hatred and in the degree of massive support they get in the international arena.

[On a lighter note, my urge to write articles seems to be coming in series of threes: after my recent three continuous articles on Indra, this is now my third continuous article on internal enemies].