Saturday, 20 June 2026

Ancient Vedic and Classical Composers and Writers Were Extremely Illiterate in Textbook Etymology

 

Ancient Vedic and Classical Composers and Writers Were Extremely Illiterate in Textbook Etymology

 Shrikant G Talageri 

 

I have written a lot about textbookworm etymologists who raise objections about identifications on textbookworm grounds. Although I am not really interested any more in endless and pointless discussions and debates, I thought it perhaps appropriate to give one example to specifically illustrate the case.

A few days ago, someone wrote me the following mail. Who wrote it is not important since, as I said, I have no intentions of indulging in any more endless and pointless discussions and debates.

The mail was as follows:

Respected sir,

Please tell me where you got the name Kaoša in Avestan (which you suggest is recorded in the Rigveda under the name Kavaṣa RV 7.18.12). Is it a proper name? I haven't been able to find it today. Also the cognate of Kaoša in Indic is Kōṣa, not Kavaṣa. 

Thank you

About the first part, I pointed out that a simple question on google gave the following:

Inthe Avesta (the primary collection of sacred texts of Zoroastrianism), Kaosha is a minor historical figure mentioned in the Frawardin Yasht (Hymn to the Guardian Angels). [123]

Specific details regarding the mentions of Kaosha include:

·         Lineage: Kaosha is explicitly named as the father of a devout, righteous follower (an ashavan) named Fraora-ostra.

·         Context of the Text: His name appears in a long, recited list of ancestral and early heroes, priests, and devoted adherents. In the Frawardin Yasht (Yasna 13, verse 123), followers invoke and worship the guardian spirits (Fravashis) of these early holy men, including the "Fravashi of the holy Fraora-ostra, the son of Kaosha”.


About the second point, that “the cognate of Kaoša in Indic is Kōṣa, not Kavaṣa”, I tiredly wrote back: “As for what is the cognate of what, I have long ago given up replying to textbookwormish challenges to identifications”.

However, it would perhaps be right to be a bit more specific, since there is a whole host of names regarding which textbookworm objections have been raised claiming that such-and-such non-Sanskrit names cannot have been Sanskritized in certain ways because as per the textbook rules of comparative cognate etymology, the Sanskrit forms should have been something else. So let me deal with this specific point in this short one page article.

When a person takes a name from another language and pronounces it in his own language, he does not go by textbook rules of cognate etymology and decide that he must be politically or etymologically correct in his pronunciation so that the resultant form (in his own language) is exactly as per the textbook rules of what it should be as per rules of “cognate” forms. He simply takes the name as he hears it and pronounces it in his own language in his own way.

When Indians writing in the second century BCE took the Greek name Menander and made it Milinda, it is not because they were following some textbook rule that a Greek “men” was cognate to a Sanskrit/Pali “mil”, because I am sure it is not. They simply pronounced the Greek name in their Sanskrit/Pali writings in the way that the name sounded to them on entirely arbitrary grounds. Likewise, when Greek Alexander became Iskandar and later Sikandar, it was not because there were textbook rules of cognate etymology which made a Greek “Alex” into “Isk’ or “Sik” in any language. These changes took place on purely arbitrary human grounds.

Likewise when Sanskrit writers accepted Iranian names like Mihira (by itself as well as e.g. in names like Varahamihira) they did not reason that Miθra/Mihira was actually a cognate of Sanskrit Mitra and therefore convert the name Varahamihira into Varahamitra. They simply accepted the Iranian name and pronounced it, then and later, in their own new Sanskritized way.

Similarly, when the Vedic composers referred to the Anu-Iranian Kaoša in the Rigveda, they did not open out their textbooks of cognate etymology and decide that they should pronounce the name as Kōṣa: they simply relied on their ears. It is sad that these illiterate Vedic and Sanskrit composers and writers did not have modern textbookworms to guide them.

As I said: just putting in my word on this textbookworm disease. No intentions of participating in endless and pointless discussions and debates on this point.


APPENDIX ADDED 25 June 2026:

I wrote above “It is sad that these illiterate Vedic and Sanskrit composers and writers did not have modern textbookworms to guide them”. Unfortunately I am more happily (?) placed. The person who wrote the above mail to me seems to believe in the never-say-die maxim, and continues to repeat (in emails to me) his textbook arguments in spite of my repeated reiterations of the logic behind how people pronounce foreign names (i.e. names from another language). For the record, I will just give below the different ways in which I tried to make him understand this logic.

He wrote:

But yes, you have to realize that the language that the Rigveda is preserved in (Śakala) was likely not the language it was composed in. There is a lot of internal phonological & metrical evidence that shows this & actually justifies the 2500-3000 year gap between Vedic & Classical. The sound changes I am talking about would've happened from Rigvedic -> Śakala & would follow the natural laws of sound changes that have been established for Indo-Aryan languages (with Rigvedic looking more similar to Proto-Indo-Iranian). Therefore, the Menander point wouldn't hold in this case.

However, in order to help your side, you can argue that the original Indo-Iranian name was *Kawša (rendered in Śakala as Kaʋaṣa to fit the meter, as glides are perfectly valid in Rigvedic, ex: goagrāḥ). However, it would be difficult to explain the name Kavaṣa Ailūṣa, the author of a hymn in the 10th maṇḍala.

I replied back:

Apart from the fact that Mandala 10 follows long after the dasarajna battle, by which time the name would have been long established as a known one in India, you will note that Kavasha Ailusha is regarded as an outsider to the Vedic tradition (expressed of course in later myths in the Brahmanas, as being because he was born of a low-caste mother).

But all the verbal gymnastics trying to reconcile "natural laws of sound changes" into your arguments cannot explain why the Sanskrit references to Varahamihira do not refer to him as Varahamitra, recognizing mihira to be a cognate form of  Sanskrit mitra. Unlike people obsessed with "cognate" forms, normal people simply accept the names of people speaking another language in the forms in which the names appear before them; they do not open out textbooks of cognate equivalence charts to see how those foreign names can be converted into "cognate" forms. As, moreover, there was no name "Kosha" among the Rigvedic people, why should they be expected to have found it necessary to convert the name Kaosha as it appeared before them into a "cognate" form instead of simply Sanskritizing it into "Kavasha"? Everything does not fall into rigid rules in real life, so I see no need whatsoever to avail of your "help" and "argue that the original Indo-Iranian name was *Kawša (rendered in Śakala as Kaʋaṣa to fit the meter, as glides are perfectly valid in Rigvedic, ex: goagrāḥ)" as I see no need for finding rules to explain every nuance.

[And why do you say "the Menander point wouldn't hold in this case". Doesn't this mean that it is senseless to expect to find rules to explain everything? Regardless of which stage of Sanskrit was involved, why should "Mena" become "Mili": doesn't it show that acceptance of foreign names is always based on arbitrary practice and not on immutable rules?]

After this, he still writes:

You are not at all getting the point. You've mentioned this multiple times before, and even I have. 

Rigvedics would've "Sanskritized" (I honestly wouldn't use the term "Sanskrit" for Rigvedic, the language of the composers of the Rigveda was closer to Proto-Indo-Iranian. RV just happened to get preserved in a later language) the name Kaoša as *Kawša itself. This /aw/ later turns into /ō/ in the Śakala recession (of the Brāhmaṇa-period), several centuries after book 10 of the Rigveda. The question was why didn't it turn into Kōṣa in Śakala (because we only have "Late Brāh? Makes a lot more sense if the name was borrowed as *Kawaša just to fit the meter, rendered in Śakala as Kaʋaṣa.

As I repeatedly pointed out that I was not going to go into endless and senseless discussions on this point, I did not bother to do so in reply to his mail. I am merely ending the discussion” by putting the above dialogue on record.


Friday, 5 June 2026

A List of My Articles on Music

 


A List of My Articles on Music

Shrikant G Talageri

 

Music (apart from reading fiction, watching serials and eating) is the main passion of my life. I intended my recent articles on music uploaded on 5th April 2026 to be my last (or almost last) articles on my blogspot. Of course, I still have the option open to write any article I feel impelled to write. But for those interested in music, a list of my articles on music:

I. SPECIAL LONG SONG-LISTS

II. SINGER-WISE SONG LISTS (WITH OR WITHOUT URLs)

III. PERSONAL OR ANALYTICAL ARTICLES

IV. MUSICAL SCALES AND TAALS

 

 

I. SPECIAL LONG SONG-LISTS:

Ragawise Songs in Hindi and Marathi With URLs of Songs- 9 January 2025 (Final 5 April 2026)

https://talageri.blogspot.com/2026/01/blog-post.html

 

Ragawise Songs in Hindi and Marathi Plain List Without URLs of Songs- 23 November 2025 (Final 5 April 2026)

https://talageri.blogspot.com/2025/11/raga-wise-songs-in-hindi-and-marathi.html

 

List of Male Duets/Multi-Singer Songs in Hindi Films- 16 January 2024

https://talageri.blogspot.com/2024/01/list-of-male-duetsmulti-singer-songs-in.html

 

List of Female Duets/Multi-Singer Songs in Hindi Films- 7 January 2024

https://talageri.blogspot.com/2024/01/list-of-female-duetsmulti-singer-songs.html

 

 

II. SINGER-WISE SONG LISTS (WITH OR WITHOUT URLs):

Listen To Best Solo Hindi Songs of Lata Mangeshkar- 30 December 2025

https://talageri.blogspot.com/2025/12/listen-to-best-solo-hindi-songs-of-lata.html

 

Listen To Best Solo Hindi Songs of Asha Bhosle- 27 December 2025

https://talageri.blogspot.com/2025/12/listen-to-best-solo-hindi-songs-of-asha.html

 

Listen To Best Solo Hindi Songs of Mukesh- 26 December 2025

https://talageri.blogspot.com/2025/12/listen-to-best-solo-hindi-songs-of.html

 

Listen To Best Solo Hindi Songs of Mohd Rafi- 25 December 2025

https://talageri.blogspot.com/2025/12/listen-to-best-solo-hindi-songs-of-mohd.html

 

Listen To Best Solo Hindi Songs of Kishore Kumar- 13 December 2025

https://talageri.blogspot.com/2025/12/listen-to-popular-hindi-solo-and-duet.html

 

Listen To A Panorama of Popular Hindi Songs by Female Singers- 12 December 2025

https://talageri.blogspot.com/2025/12/listen-to-panorama-of-popular-hindi_12.html

 

Listen To A Panorama of Popular Hindi Songs by Male Singers- 9 December 2025

https://talageri.blogspot.com/2025/12/listen-to-panorama-of-popular-hindi.html

 

Listen To Mahendra Kapoor Hindi Songs- 5 December 2025

https://talageri.blogspot.com/2025/12/listen-to-mahendra-kapoor-hindi-songs.html

 

Listen To Manna Dey Hindi Songs 5 December 2025

https://talageri.blogspot.com/2025/12/listen-to-manna-dey-hindi-songs.html

 

Listen To Lata Solo and Lata-Rafi Duet Songs in Naushad’s Music- 3 December 2025

https://talageri.blogspot.com/2025/12/listen-to-lata-solo-and-lata-rafi-duet.html

 

Listen To Popular Talat Mehmood Film Songs- 3 December 2025

https://talageri.blogspot.com/2025/12/listen-to-popular-talat-mehmood-film.html

 

Listen To Lata Mangeshkar Solo Songs in Shankar Jaikishan’s Music- 3 December 2025

https://talageri.blogspot.com/2025/12/listen-to-lata-mangeshkar-solo-songs-in.html

 

Listen To Asha Bhosle Marathi Solo Songs- 2 December 2026

https://talageri.blogspot.com/2025/12/listen-to-asha-bhosle-marathi-solo-songs.html

 

Listen To Lata Mangeshkar Solo Songs in Madanmohan’s Music- 30 November 2026

https://talageri.blogspot.com/2025/11/listen-to-lata-mangeshkar-solo-songs-in.html

 

Listen To Jhap Taal in Hindi and Marathi Songs- 30 November 2026

https://talageri.blogspot.com/2025/11/listen-to-jhap-taal-in-hindi-and.html

 

Listen To Asha Bhosle Solo Songs in OP Nayyar’s Music- 30 November 2026

https://talageri.blogspot.com/2025/11/listen-to-asha-bhosle-solo-songs-in-o-p.html

 

Listen To Mohd Rafi Solo Songs in Naushad’s Music- 30 November 2026

https://talageri.blogspot.com/2025/11/listen-to-mohd-rafi-solo-songs-in.html

 

List of Hindi Video Songs on My Computer- 17 November 2025

https://talageri.blogspot.com/2025/11/list-of-hindi-video-songs-on-my-computer.html

 

List of Marathi Audio Songs on my Computer- 17 November 2025

https://talageri.blogspot.com/2025/11/list-of-marathi-audio-songs-on-my.html

 

 

III. PERSONAL OR ANALYTICAL ARTICLES:

Musical Memories of my Parents- 5 April 2026

https://talageri.blogspot.com/2026/04/musical-memories-of-my-parents.html

 

Nadiya Dheere Baho- From Rigveda to Folk Culture, concerts and Bollywood- 30 January 2026

https://talageri.blogspot.com/2026/01/nadiya-dheere-baho-from-rigveda-to-folk.html

 

Falsetto Singing as the New Norm/”Normal” in Indian Female Singing- 23 January 2026

https://talageri.blogspot.com/2026/01/falsetto-singing-as-modern-normnormal.html

 

A Few Minor Slip-ups by Some of the Very Greatest Music Directors of the Hindi Film Industry?- 11 January 2026

https://talageri.blogspot.com/2026/01/a-few-minor-slip-ups-by-some-of-very.html

 

Marathi Songs by Non-Marathi Singers- 28 November 2026

https://talageri.blogspot.com/2025/11/sanjeev-ramabhadran-and-non-marathi.html

 

Musical Notes: Is Madhyam “Śuddha and Tīvra” or “Komal and Śuddha”?-  24 May 2025

https://talageri.blogspot.com/2025/05/musical-notes-is-madhyam-suddha-and.html

 

A Unique Taal Found only in Punjabi folk Music- 15 January 2025

https://talageri.blogspot.com/2025/01/a-unique-taal-found-only-in-punjabi.html

 

“Bad-duā” or “Abhiśāp” Songs in Hindi Films- 24 September 2023

https://talageri.blogspot.com/2023/09/bad-dua-or-abhisap-songs-in-hindi-films.html

 

The Two Great Patriotic Songs of Veer Savarkar Rendered by the Mangeshkars- 27 March 2023

https://talageri.blogspot.com/2023/03/the-two-great-patriotic-songs-by-veer.html

 

Some of the Best Devi Songs From Old Hindi Films- 24 March 2023

https://talageri.blogspot.com/2023/03/some-of-best-devi-songs-from-old-hindi.html

 

 

IV. MUSICAL SCALES AND TAALS:

All Mathematically and Theoretically Possible 2048 Scales (Thāṭ not Rāga)- 5 August 2025

https://talageri.blogspot.com/2025/08/all-mathematically-and-theoretically_5.html

 

Notes-wise Classified List of Hindustani Rāgas- 7 June 2025

https://talageri.blogspot.com/2025/06/notes-wise-classified-list-of.html

 

Musical Scales: Thāṭ and Rāga, Part I- 7 February 2020

https://talageri.blogspot.com/2020/02/musical-scales-that-and-raga-i_48.html

 

Musical Scales: Thāṭ and Rāga, Part II- 8 February 2020

https://talageri.blogspot.com/2020/02/musical-scales-that-and-raga-ii_88.html

 

List of Marathi Songs in Roopak Taal of 7 Beats- 1 May 2012

https://talageri.blogspot.com/2012/04/list-of-marathi-songs-in-roopak-taal-of.html

 

List of Hindi Film Songs in Roopak Taal of 7 Beats- 1 May 2012

https://talageri.blogspot.com/2012/04/list-of-hindi-film-songs-in-roopak-taal_30.html

 

List of Marathi Songs in Jhap Taal of 10 Beats- 1 May 2012

https://talageri.blogspot.com/2012/04/list-of-marathi-songs-in-jhap-taal-of.html

 

List of Hindi Film Songs in Jhap Taal of 10 Beats- 23 April 2012

https://talageri.blogspot.com/2012/04/list-of-hindi-film-songs-in-jhap-taal_23.html